I found myself in Central Park South,
having caressed the velvet oak
and coal of a carriage horse.
Drunk on the perfume of hoof polish and oats,
my feet carried me behind the hand-crafted walls of the southern entrance—
my fingers skimming the cracks between the infinite Granite stones all the while.
I've been sucked out of the present
and thrust into the caverns of my mind.
Here, in the middle of tar streets and blaring truck horns...
underneath the towering cubicles and the repression of the daily grind:
underneath the towering cubicles and the repression of the daily grind:
a secluded tree.
It's all too familiar as I catch my breath
and picture myself sitting on the green bench
—whose paint has been chipping away for the past six years —
—whose paint has been chipping away for the past six years
and sketching.
A tale of two trees so enamored, they'd melded into one another?
Or a rejection letter that had cut him to the quick?
He'd reached out to her and twisted back in on himself,
curving and retracting his feelings down to the very trunk.
A tortured soul, or an egocentric life form?
I'll never know.
A violin sings,
a second-hand serenade kissing my earlobes.
Into the land of Andrea Bocelli love songs and midnight laughter.
Into the land of Andrea Bocelli love songs and midnight laughter.
And before I knew it, I'd been led into a daydream more lovely than reality.
I'm back in Spain, skipping on the lake in a chiffon dress,
the crescent moon glancing at itself in the mirror.
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